After a great plein air painting trip, I’m back to the studio and focusing on the figure.  I took snapshots of my progress on this painting so you’ll be able to view as a demo on YouTube.

I know this is an unusual composition, but I like that.  This was a great study in warm colors (hence the title, “Warmth”).  One of the key objectives I had was to represent warm/cool warm colors, and find a way to have the figure stand out from the rocks behind.  It’s a figure, so of course it will always stand out visually, but I also wanted to use color to accomplish the same objective.  I typically do that through “color separation” (which I first wrote about on this blog in 2007). The basic idea is to use completely different colors from my palette to represent a color of the same hue family and value.  For example, to separate the color of grass in shade and light, each of those two mixtures will have different blue and yellow mixtures (eg, green in shade might be Ultramarine Blue + Yellow Ochre, while in light it might by Cerulean Blue + Cad Yellow).  Both make green, but the fact that different base colors are used to mix each helps further separate light from shadow.

In this painting, I kept his flesh in shadow based on Mars Violet, while the base for the rocks was Alizarin Crimson.  This was also a fun study to do in terms of brushwork. I was able to get the contrast I wanted by keeping the rocks loose and free-form, while the draftsmanship of the figure is tighter (too tight, actually, I’d love to be able to paint a figure as loose as Dan MacCaw.  Someday!  The other challenge in this painting was representing the direction of color of light.  There’s a cool reflection from the sky in his hair and chest for exmaple, and a very warm reflect light coming from the ground to his chest and parts of his face.  That’s always fun to paint!

You may see a larger studio version of this painting as it’s one of those studies that resonates with me.  What do you think?

Here’s the YouTube video demonstration: